<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>http://iai.lib.wvu.edu/catalog/iai001393</dc:identifier><dc:identifier>http://iai.lib.wvu.edu/thumb/iai001393.jpg</dc:identifier><dc:title>Prints for Paintings; 01 of 01</dc:title><dc:date>n.d.</dc:date><dc:subject>Fingerprints</dc:subject><dc:description>Page 22; &amp;quot;Finger Prints for Paintings. A Means of Determining the Authenticity of Famous Pictures.&amp;quot; ; Painters should fingerprint their work so others can detect if paintings are genuine.; letter to the editor from Alfred H. Saunders, New York Herald, October 10 of unspecified year; DF 654</dc:description><dc:format>Clippings</dc:format></oai_dc:dc>